I saw the book as a thorough crash course in writing successfully entertaining pieces. All good fiction consists of looking at things afresh, but horror fiction seems to have a built-in tendency to do the opposite. There is a kind of unspoken hence undefended and unexamined belief in publishing circles that the most commercially successful stories and novels are fast-paced.
The next section of the book is the real meat and gravy; the reason the book was written: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute.
Whether you are an aspiring horror author or not, work at creating consistent mood and tone. Another whipped around his neck in a series of quick winding-up snaps. The last few pages are dedicated to walking you through why each change was made.
Why are their headlines so incomprehensible? It is my belief that reading this book will give any writer a better understanding of the craft and how to tighten up their written word.
It began to spin its web. There have been very successful writers - Arthur Hailey and James Michener are the first ones that come to my mind - whose novels rely heavily on fact and research. Yes, your writing should be conversational, but it should be the conversation you would have if you had time to think everything through and say exactly the right things.
I get into the subject of things that go bump in the night in my new online course Horror Writing Intensive: Horror, however, also suggests elements of disgust and surprise or shock. Send your entry to: What if vampires invaded a small New England village?
Enter it into our Annual Writing Competition! Stories over this length will be disqualified.
Norton pointed out over and over again that there were only four witnesses to the bag-boy being carried off by what he called the Tentacles from Planet X. I believe now that it was only the thought of Billy that allowed me to keep any semblance of sanity.
Drop me in Siberia in the same unprepared state and the tiger is boss.Forty-five minutes in, one reader of both Hill and King (the Venn diagram could easily be a total eclipse) wanted to know what kind of bedtime stories Hill was told as a kid. He quoted a Leno joke about Stephen King's children—Joseph Hillstrom King, his sister Naomi, and brother Owen—being the rare type to beg not to hear one.
April 1, in Featured Articles // Is Stephen King Really the Greatest Horror Contributor of All Time? January 17, in Featured Articles // Here are 10 Classic Scary Stories to Read for Free! To enter this once-in-a-lifetime competition, please send us an unpublished short story in the spirit of Stephen King.
The winning entry will be picked by Stephen King himself and will be published alongside his own work in the paperback edition of On Writing in summer The winner will also enjoy a unique opportunity to meet Stephen King. 1.
Write whatever the hell you like. King might be best known – or, rather, best regarded – as a writer of horror novels, but really, his back.
You can read more from accomplished horror authors, such as Stephen King, Joyce Carol Oates, Harlan Ellison, David Morrell, Jack Ketchum, and more, in On Writing Horror, edited by Mort Castle. How do you write a horror story or novel like Stephen King, Clive Barker or (looking further back in the genre’s history) Edgar Allan Poe?
Start with these six tips: 1: Learn how to write horror using strong, pervasive tone. Tone and mood are two elements that contribute to how your story feels.Download